My artistic practice explores the liminal space between abstraction and figuration. I ground my work in drawing—a primary cognitive and symbolic tool—before expanding into painting, sculpture, and digital media. Each piece becomes a layered field where intuitive gesture and structured composition generate a tension between excess and control, chaos and syntax. I investigate perception as a dynamic, unstable process—tracing how meaning emerges, shifts, and dissolves within recursive visual structures. Rather than offering fixed narratives, my images operate as open systems: arenas for reflection and ambiguity. In this way, the essence of my practice lies as much in the act of sensing as in what is ultimately seen